About This Event

A series of online events for historical fiction writers in May and June 2024 in the lead-up to the HNS UK 2024 conference. Session times given are British Summer Time (BST), which is UTC+ 1 hour.


** This page is for bookings for the May and June 2024 online sessions. **


Note that you do not need to login to register. The login link above is for a RegFox account, not HNS membership. First, register below. After you have registered, you will receive a confirmation email with a link to claim a RegFox account. You do not have to have a RegFox account, but if you do, it will enable you to make changes to your booking, use a saved card, etc.


If you are looking for the onsite conference at Dartington in September, you can find it here.


If you are looking for the online conference in September you can find it here.


Note that the programme may be subject to change. We aim to minimise any changes and to let you know as soon as possible.

Discount

Register for one or more pre-conference sessions below and earn yourself a 15% discount for an online conference ticket in September. You can book for the September online conference here:

 

https://historicalnovelsocietyuk.regfox.com/online

 

Quote Promo Code: PreCon15


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Sessions*

  • Leslie Carroll,  From the Page to the Stage

    Leslie Carroll, From the Page to the Stage

    Friday 10 May 4.00-5.30pm BST

    The novelist's art of storytelling differs in key ways from that of the dramatist. How does one decide what to include and what to cut and keep a sprawling novel with multiple characters under 2 hours in many cases: what elements of a great novel will translate into live action; how does one remain truthful to the spirit of the novel? How do you translate the atmosphere? How do you write new dialogue in the original novelist's 'voice'? Should you do so? And how can one remain truthful to the novelist's intention and the ethos of the period and bring the story alive for an audience (lavish period costumes, sets) on a shoestring budget?! And -- still tell the story in an engaging way for audiences of all ages who may have slept through English class? This interactive session will draw from the participants to bring examples of certain novels and their dramatised counterparts to their feet (scripts provided). If scheduling permits, participants could be invited to draft a very brief dramatic scene from one of their own books and bring it to life before the group.

    Leslie Carroll is a multi-published author in three genres: women's fiction and historical nonfiction in her own name and historical fiction as Amanda Elyot and Juliet Grey. She is also an actress and audiobook narrator. In 1989 she founded a nonprofit professional theatre company in New York City whose artistic mission was devoted to bringing neglected classics of the English theatre to the contemporary stage. She adapted The Prisoner of Zenda, Ivanhoe, and The Three Musketeers, sweeping epics with love scenes and fight scenes for the stage and adapted Mark Twain's 'Diaries of Adam and Eve' into a two-hander. Her company ran for eight consecutive seasons and produced upwards of 40 professional productions.
    Website: https://lesliecarroll.com

    BOOKING FOR THIS SESSION HAS NOW CLOSED.

    Price £15.00

  • Margaret Skea, Your Words in Action

    Margaret Skea, Your Words in Action

    Friday 17 May 4.00-5.30pm BST

    The best ‘apprenticeship’ for screen writing is through radio adaptation, where all the key ‘tricks of the trade’ and the essentials of effective adaptation can be learned. This presentation will focus first on radio and finally on additional considerations for screen adaptation. For both the key question is how to refine and reduce your story, without losing its core. 1) The starting point has to be critical listening and watching - to assess, for example, the length and number of scenes, introduction of characters, the balance of action, narration, dialogue and the use of sound / special effects / music and visual clues. 2)Consider factors such as where and how to cut / amalgamate characters; the importance and style of dialogue; creating atmosphere; conveying location; sound effects, movement, posture and distance; scene-shifting, ‘hooks’ and suspense. 3) Taking into account technical aspects such as running time, budgetary constraints. 4) Screen versus radio - the additional constraints / opportunities and considerations (for example screen dialogue needs to be tighter, shorter and never duplicate what is seen).

    Margaret Skea is an Hawthornden Fellow and multi-award-winning novelist of five historical novels and a short story collection, set in different centuries and continents. Credits include Beryl Bainbridge Award, Neil Gunn Prize, Fish, Mslexia, Rubery, the Historical Novel Society and the BookBrunch Selfies Prize. Growing up in ‘The Troubles’ in Northern Ireland much of her writing is concerned with living within conflict, and the pressures that places on families, relationships and on personal integrity. Her aim is always to provide a ‘you are there’ experience for the reader and is currently exploring the possibility of adapting her novels for both radio and the small screen.
    Website: https://margaretskea.com

    Price £15.00

  • Joan Fernandez and Kimberly Sullivan , 10 Secrets to Forming Vibrant, Lasting HistFic Author Communities

    Joan Fernandez and Kimberly Sullivan , 10 Secrets to Forming Vibrant, Lasting HistFic Author Communities

    Friday 24 May 4.00-5.00pm BST

    In April 2020, Joan founded a Historical Fiction affinity group that ultimately grew from a handful of people to nearly two hundred authors. Our members come from across the US (including Hawaii), Canada, Mexico, Italy, New Zealand, and Japan. Kimberly is one of the group’s earliest members.
    Anchored by a weekly Zoom meeting, the community has fostered learning from experts and each other, created a safe place to bring questions, celebrated each other’s author “wins,” and sympathized with each other’s disappointments. It’s spurred connections outside the weekly meeting: forming
    critique groups, serving on launch teams, co-presenting a conference workshop, collaborating on an anthology, engaging on social media, offer to beta read one another’s manuscripts, and reviewing each other’s books. For historical authors keen on forming their own communities, we have 10 top secrets to offer HNS attendees in this discussion-based one-hour programme.

    Joan Fernandez is a novelist who brings to light brilliant women’s courageous deeds in history. She is a former senior marketing executive and general partner of the financial powerhouse Edward Jones. In 2018, she retired from a 30+ year career to be a full-time writer. Since leaving the corporate world, she’s become a member of the Historical Novel Society, the Author’s Guild, and the Women’s Fiction Writers Association (WFWA). In April 2020, she founded a Historical Fiction affinity group within WFWA that grew from a handful of people to nearly two hundred authors. Her short story, “A Parisian Daughter,” is published in the anthology, Feisty Deeds: Historical Fictions of Daring Women: Her debut novel will publish in 2025. Joan is a sought-after public speaker, most recently presenting “How to Portray the Past Truthfully without Harm” at the Tenth Anniversary Conference for the Women’s Fiction Writers Association in September 2024.. Joan calls both St. Louis and Sedona, Arizona, home, enjoys foodie meals with her Cuban husband and antics with grandkids.
    Website: https://www.joansf.com
    https://joanfernandez.substack.com

    Price £15.00

  • Robin Henry, Use Your Reading to Level-Up Your Writing

    Robin Henry, Use Your Reading to Level-Up Your Writing

    Friday 31 May 4.00-5.30pm BST

    Writers are frequently advised to read more so they can write better. The problem is, no one seems to want to tell them how to use reading to elevate their writing practice. Reading alone is not enough. In this session, we will use The Lincoln Highway by Amor Towles as a mentor text to model the kinds of questions writers should ask when reading, demonstrate methods for analysis, and provide sample writing exercises so writers can apply what they learn from their reading and elevate their writing. The presentation will focus on story question, structure, character development, narrative drive, foreshadowing, and language. The goal for this session is to enable writers to analyze great books and use the insights they gain to inform their own writing.

    Robin Henry is an Author Accelerator Certified Book Coach with an MLS (Library Science) and MA in Humanities. She has previously served on book award committees and as a writing contest judge for the Women’s Fiction Writers Association. In addition to her work as a writing coach, she serves as the short story acquisitions editor for History Through Fiction, a small press that specializes in historical fiction. She is a fan of the Oxford comma, hot beverages, and historical fiction.
    Website: https://readerly.net/about/

    Price £15.00

  • Melissa Bissonette, Rachel Beanland, and Karen Joy Fowler, Writing About Historical Theatre

    Melissa Bissonette, Rachel Beanland, and Karen Joy Fowler, Writing About Historical Theatre

    Friday 7 June 4.00-5.30pm BST

    This panel flips the theme of the conference, focusing on historical fiction which centers around theater, in one way or another. Several novels focus on particular actors, or playwrights, while others consider an entire troupe or company. Once we move beyond Shakespeare, theater offers a wealth of creative subjects unknown (or nearly so) to contemporary readers. The writers on this panel will discuss their research process and what freedom writing about performance offered them.

    Melissa Bissonette teaches 16th-19th century literature and theater at St. John Fisher University in Rochester NY. She has written one novel (Daughter of the Law) that includes the masque culture of the 17th century English courts, and is currently writing about a boy actor of the mid-17th century.

    Rachel Beanland is the author of The House is on Fire (2023), a beautiful novel in four voices, on the fire that destroyed a Richmond VA theater in 1811, including the stagehand of the theater troupe that was on stage when the fire started. She is also the author of Florence Adler Swims Forever (2020) and is the Writer-in-Residence at University of Richmond.
    Website: https://rachelbeanland.com

    Karen Joy Fowler’s (pictured) Booth (2022) traces the rise of the Booth clan/theatrical dynasty, and its future assassinator John Wilkes Booth, with compelling and expansive storytelling. She is the author of seven novels including the PEN/Faulkner award winning We Are All Completely Beside Ourselves (2013).
    Website: https://www.karenjoyfowler.com

    Price £15.00

  • Liz Harris, Going it Alone: Self-Publishing

    Liz Harris, Going it Alone: Self-Publishing

    Friday 14 June 4.00-5.30pm BST

    When I decided to self-publish, after being traditionally published, I had everything to learn. In this talk, I would cover some of the things I learnt. I would go through the advantages that I found in self-publishing, and the disadvantages, and the mistakes I initially made. Hopefully, my talk would prevent listeners from making the same mistakes. I would explain also the ways in which I’ve promoted my novels. In the three years to date that I’ve been self-published, I’ve been exclusive to Amazon, I’ve then removed some of my books from Amazon exclusivity and put them in other stores as well as in Amazon, and after several months, I’ve returned them again to the open arms of Amazon exclusivity. I would explain why I made these choices. I have loved every minute of being self-published and I would never want to be traditionally published again. I would hope that in my talk I’d convey to listeners some of the enthusiasm I feel for the path I’ve chosen, which has proved to be very successful.

    Born in London, I graduated from university with a Law degree, and then moved to California, where I led a varied life, from waitressing on Sunset Strip to working as secretary to the CEO of a large Japanese trading company. Six years later, real life intervened and I returned to London and completed a degree in English, after which I taught secondary school pupils. Of the 17 novels that I’ve had published to date, the first six were traditionally published. All but two of my novels are historical. These are set in some of my favourite historical periods; namely, the US in the late 19th century, Asia at the time of the British Raj, and Britain between the wars. I now live in Berkshire, and my interests are travel, the theatre, reading and cryptic crosswords.
    Website: https://lizharrisauthor.com

    Price £15.00

  • Tracey Warr and Rebekah Simmers, Tools for Historical Fiction Writers: Substack and Canva

    Tracey Warr and Rebekah Simmers, Tools for Historical Fiction Writers: Substack and Canva

    Friday 21 June 4.00-5.30pm BST

    We will be talking about our experiences, as historical fiction writers, of using Substack and Canva to promote our work. Tracey runs a medieval history and fiction substack and is serialising her new novel there. Rebekah (pictured) uses Canva to generate visuals to promote historical fiction books, conferences, and interviews.

    Tracey Warr is writing historical fiction set in early medieval Europe and centred on female protagonists. She has published five historical novels set in 10th-12th century Wales, England, France and Spain. She is currently working on a new medieval novel about a female troubadour sleuth and a biography of three medieval sisters. She is a member of the HNS UK 2024 organisation team and of the HNS Author Interview team. She was born in London and lives in south-west France.
    Website: https://meandabooks.com
    https:// tracey.warr.substack.com

    Rebekah Simmers is the author of the Metzlingen Saga, which includes her first novel The King's Sword. In addition to being a military spouse and special needs parent of five children, she is a member of the HNS UK 2024 organisation team and the HNS Author Interview team. She loves research of all kinds, and has been trotting the globe since birth. She has recently moved with her family to Italy (her twenty-first move).
    Website: https://rebekahsimmers.com

    Price £15.00

  • Helen Reynolds, Get By in Google and Climb the Rankings

    Helen Reynolds, Get By in Google and Climb the Rankings

    Thursday 27 June 4.00-5.30pm BST

    Want your online articles, creative writing tips or book reviews to appear on as many screens as possible? Discover practical tips from a SEO industry professional on how to 'Get by in Google', woo those elusive search engine robots, and climb up the rankings.

    Includes:
    What is Search Engine Optimisation?
    What Google robots see
    Keyword research advice
    Quick wins

    Helen Reynolds has worked on the web since 1997, so knows a thing or two about attracting Google. As a freelance SEO copywriter based in York, UK she's helped many authors including the self-published, traditional debuts and Sunday Times best-sellers. and leads the HNS social media team. Writing as H.J. Reynolds, Helen is querying her 17th century action adventure and has been longlisted for the Exeter Novel Prize and the HWA's Unpublished Debut Award.
    Website: https://www.inkgardener.co.uk

    Price £15.00

  • Laura Morelli and Carol Cram,  Putting the Arts at the Heart of Historical Fiction

    Laura Morelli and Carol Cram, Putting the Arts at the Heart of Historical Fiction

    Friday 28 June 4.00-5.30pm BST

    Historical novels that are centered around the arts along with the films they’ve inspired have long been reader favorites. For the historical novelist, the arts can be a fantastic source of information and inspiration, as much a primary source as the written word. How can a painting, a music composition, a play, a dress, a building, or even a dance support character development, setting, and story? In this lively and interactive session that includes many examples and common tropes from fiction and film. Art in Fiction creator Carol M. Cram and art historian Laura Morelli (pictured), both authors of several novels centered around the arts, describe how to put the arts at the center of your next book project.

    Laura Morelli is a Yale-educated art historian and USAToday bestselling author. Laura has taught college students in the U.S. and in Italy. She has covered art and authentic travel for TED-Ed, National Geographic Traveler, and Italy Magazine. Her books have been picks at Costco, Target, and Hudson News. Laura is the author of the Authentic Arts guidebook series that includes Made in Italy. Her historical novels, including The Night Portrait, The Stolen Lady–and her latest book, The Last Masterpiece (Harper Collins, June 2023)–bring the stories of art history to life.
    Website: https://lauramorelli.com

    Carol M. Cram from Vancouver, Canada, is the author of three award-winning historical novels in the Women in Art Trilogy (The Towers of Tuscany, A Woman of Note, and The Muse of Fire). Carol is also the founder of the Art In Fiction Website and the Art In Fiction Podcast on which she interviews authors who have written novels inspired by the arts. She is an active travel blogger on the Artsy Traveler Website, the author of 60+ college textbooks, and the Artistic Director of the Bowen Island Writers’ Festival. She was on faculty at Capilano University in North Vancouver for over two decades and holds an MA in Drama and an MBA.
    Website: https://carolcram.com

    Price £15.00


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